David Bowie 2002-2016-era box set announced
Parlophone
The set is the sixth in a series
Parlophone Records will release David Bowie I Can't Give Everything Away (2002-2016), the sixth in a series of box sets spanning Bowie’s career from 1969. The 12 CD and 18 LP sets will be released on September 12th. The title is named after the closing track on Blackstar, Bowie’s final studio album. The sets feature newly remastered versions, except for Blackstar and No Plan, with input from Bowie’s co-producer Tony Visconti.
2002’s Heathen was the first album Bowie and Visconti had worked on together in twenty-two years. Recorded in a residential studio in upstate New York, it reminded Visconti of his time with Bowie in Berlin in the 1970s: “There was no control room. The console was at one end of the studio, and the band was placed at the other end. The acoustics were quite live, and from my experience of making ‘Heroes’ at Hansa Studios in Berlin, in the huge Grand Hall (known as Meistersaal recording hall), I wanted to make these acoustics work for us.”
For the follow-up Reality, released in 2003, Visconti recalls, “David said he wanted to write for his new touring band, who would also record the album,” giving the record a more “Thrusty” sound as Bowie put it at the time. That band then took to the road for A Reality TOUR, one of the best-loved tours of Bowie’s career, which is represented for the first time in its re-sequenced order to better reflect the set lists of the Dublin shows. The vinyl version of the album is pressed in transparent blue, echoing its initial release.
After a decade away from the studio, the sessions for The Next Day happened in secret; Visconti says of that time, “We vowed not to tell a soul that David and we were making a new album – and that even included our domestic partners. His two-fold purpose was to write and create without pressure from the outside, plus he wanted its release to be a complete surprise. It all worked out great, except when he was spotted a few times walking to and from The Magic Shop studio in Noho, Manhattan, raising quizzical eyebrows. I was stopped once by a fan who recognised me and asked, “Is David Bowie making a new album?” I said, “Absolutely not!” Later, when we had rough mixes of our efforts, I was walking around Manhattan with a big smile on my face. No one could know that I was listening to new Bowie songs on my earbuds.” Those sessions produced so many songs that the additional tracks, along with two remixes, were included on The Next Day Extra.
Blackstar, Bowie’s final studio album, was released on January 8, 2016. Bowie and Visconti went to Donny McCaslin’s jazz quartet playing live in New York after working with him on the track “Sue (Or In A Season Of Crime).” Tony Visconti: “Donny’s quartet was no ordinary jazz band; they were super musicians at the same level as classical musicians in top symphony orchestras. David told me that this band, with Mark Guiliana – drums, Tim Lefebvre – bass, and Jason Lindner – keyboards, will be the band for the recording of Blackstar.” Every one of the tracks for Blackstar were each recorded in one day; Visconti recalls, “The first song for the album began with “’Tis a Pity She Was a Whore,” on 7th January. With a couple of rehearsals with David singing in the isolation booth, we were ready to go. Take one was perfect. We told Donny the take was fabulous. He thanked us and asked, “What’s the next song?” I forgot that jazz musicians are one-take experts. This was not a normal thing for people who make Rock and Pop music. It usually takes many hours to get that great take. Just to play it safe, we asked for another take, and Donny complied.”
On Bowie’s birthday in 2017, the No Plan EP brought together the original songs written for Bowie's Off-Broadway play, Lazarus, including the titular “Lazarus,” “No Plan,” “Killing A Little Time,” and “When I Met You,” all recorded during the sessions for Blackstar.
Montreux Jazz Festival and Re:Call 6 are exclusive to each of the sets. The former was recorded on July 18, 2002, at the prestigious Montreux Jazz Festival, and among the 31 tracks is a full performance bar one song of one of Bowie’s most revered albums, Low. Re:Call 6 features 41 non-album / alternative versions / B-sides and soundtrack songs, including tracks never previously available on CD or vinyl over 3 CDs and 4 LPs.
The physical box sets accompanying book, 128 pages in the CD box and 84 in the vinyl set, include previously unseen notes, drawings and handwritten lyrics from Bowie and photos by Sukita (who took the set’s cover shot), Jimmy King, Frank W. Ockenfels 3, Markus Klinko, Mark ‘Blammo’ Adams and more as well as memorabilia, technical notes about the albums from co-producer Tony Visconti and design notes from Jonathan Barnbrook.
The CD box set will include faithfully reproduced mini-vinyl versions of the original albums where applicable, pressed be gold-colored discs rather than the usual silver. The vinyl box set has the same content as the CD set and is pressed on audiophile-quality 180-gram vinyl.
